(slokas 7-10)
Sloka 7
Balyadishvapi jagradadishu tatha sarvasvavasthasvapi
vyavrtta svanu vartamana mahamityantah sphurantam sada |
svatmanam prakatikaroti bhajataṃ yo mudraya bhadraya
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 7 ||
vyavrtta svanu vartamana mahamityantah sphurantam sada |
svatmanam prakatikaroti bhajataṃ yo mudraya bhadraya
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 7 ||
He, whose existence in humans as Athma is changeless
throughout the various states of the body (like old, young etc) and the mind
(waking, dreaming etc), and who reveals the greatest knowledge of Athma by Chinmudra
- to that Lord Dakshinamurti, who is embodied as the greatest Guru, I offer my
profound salutations.
In this
verse Sri Sankara is restating the Athma Swarupam. Athma, the
Real Self, is ever-experienced in the body-mind-complex as “I am” in all the
four stages of life balyam, kaumaram,yauvanam and vardhikyam
i.e. childhood state, youth state. adult state and old age state. And also in
the three states of experience in all stages of life i.e. in the waking state,
dream state and deep sleep state. That continuous "I am" experience
is Athmanubhava and this Athmanubhava is there all the time, with
attributes in the waking and dream state and without attributes in the deep
sleep state, 'I' refers to Chit, the pure
Consciousness , 'am' refers to Sat, the pure Existence principle in “I
am”. Consciousness is continuous; Existence is continuous. Seeing the ever experienced continuous Chit
and Sat as Athma is called Athma Jnanam i,e seeing the attributeless “I am”
as the Athma is called Athma Jnanam or in other words seeing the
ever experienced continuous “I am” as Athma is called Athma Jnanam. Therefore Athma Jnanam is not a new
experience; but it is a new perception of the ever experienced “I am”,
excluding the attributes; guru does not
ask the disciple to work for a new experience, guru clarifies that when attribute is added to “I am”, “I am” stands
for only the empirical-ahamkara and free of all attributes the plain “I am”
stands for absolute-Athma. Exclusive of
atttributes, as Aham, one can claim “I am Brahman”. And it should be noted one has not become
Brahman for one has only claimed the Brahman that one was, one is and one ever
will be. This new perspective is the teaching of the guru. Lord Dakshinamoorthy communicates this teaching to
the student through the auspicious hand gesture called Chinmudrah, explained in the blog on Dhyana slokas of Dakshinamurthy Sthothram.
Sloka 8
Visvaṃ pasyati karyakaranataya svasvamisambandhatah
sishyacharyataya tathaiva pitr putradyatmana bhedatah |
svapne jagrati va ya esha purusho maya paribhramitah
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 8 ||
sishyacharyataya tathaiva pitr putradyatmana bhedatah |
svapne jagrati va ya esha purusho maya paribhramitah
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 8 ||
He, whose power of Maya makes one to experience
the world as cause and effect, as master
and servant, as teacher and disciple, as father and son, and so on during both
the waking and dream states - to that Lord Dakshinamurti, who is embodied as
the greatest Guru, I offer my profound salutations.
This verse explains that the
differentiations one sees in the world as cause - effect, master – servant,
teacher – disciple and as father – son etc are all differentiations within the Athma only, seen in waking or dream
state. In the previous verse Sri Sankara has pointed out that aham or “I am”
alone without attributes must be taken as the Real I, the Sat, Chit Athma.
When attributes are added to one’s notion of I, I stands for ahamkara I.
The persons who have not gained the Jnanam
of Brahman are ones with ahamkara I under the influence of Maya. For them the differentiations are real as
much as the world is real. One who has
gained Athma Jnanam is aware of the mithyathvam of the world and
the various phenomenons associated with the world and his vision is not
influenced by Maya. For Him everything in the world including world
itself is only a projection of his Real Self due to Maya. Lord
Dakshinamurthy is the Brahma Vidya Guru who unfolds this knowledge for
His disciples and is the greatest teacher to whom salutations are offered.
Sloka 9
Bhurambhamsyanaloaniloambara maharnatho
himamsuh puman
Ityabhati characharatmakamidaṃ yasyaiva murtyashtakam |
Nanyatkinchana vidyate vimrsatam yasmatparasmadvibho
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 9 ||
Ityabhati characharatmakamidaṃ yasyaiva murtyashtakam |
Nanyatkinchana vidyate vimrsatam yasmatparasmadvibho
Tasmai Sri gurumurtaye nama idam Sri Dakshinamurtaye || 9 ||
He, whose eight-fold
manifestation is this moving and unmoving universe of earth, water, fire, air,
space, sun, moon, and conscious beings and beyond whose all-pervasive nature there exists nothing
else for wise persons to that Lord Dakshinamurti, who is embodied as
the greatest Guru, I offer my profound salutations.
With the previous eigth
verse, the actual teaching part of this work is over. So this work is also called Dakshinamurthy ashtakam.
For one who cannot grasp the fact that the external world is not real, it is
suggested in this verse to see the world as the manifestation of Brahman.
This attitude when developed will prepare the mind to achieve the subtlety to
accept the mithyathvam of the world at a later date. Towards that end
Sri Sankara describes Lord Dakshinamurthy as visvarupa Isvara. Lord Dakshinamurthy has been described as eka
rupa Iswara in Dhyana sloka; as arupa Isvara, Nirguna Brahman in
the course of the Sthothram and now as Ashtamurthy Isvara,
the eight aspects encompassing the entire Universe. Just as Lord Siva is
described as visvarupa Isvara Siva in Rudram and Lord Krishna in
11th chapter of Gita as Visvarupa isvara Krishna, Lord
Dakshinamurthy is here described as Visvarupa isvara Dakshinamurthy, Ashtamurthy
representing Visvarupa and the eight factors are the pancha bhuthas,
namely earth, water, agni, vayu and akasa, and Sun and the moon and all
sentient beings (chetana Jivas).
The mandha, madhyama adhikaris who have difficulty
in understanding Vedanta can look upon the world as as Ashtamurthy
Dakshinamurthy and for them this is a sloka for Upasana. For the uttama
adhikaris, the wise people who have studied the scriptures and who have
understood that there is no world other than Lord Dakshinamurti, this is a sloka for Nitidyasana.
Sloka 10
Sarvatmatvamiti sphutikrtamidam yasmadamushmin
stave
Tenasva sravanattadartha mananaddhyanaccha sankirtanat |
Sarvatmatvamahavibhuti sahitam syadisvaratvam svatah
Siddhyettatpunarashtadha parinatam chaisvarya mavyahatam || 10 ||
Tenasva sravanattadartha mananaddhyanaccha sankirtanat |
Sarvatmatvamahavibhuti sahitam syadisvaratvam svatah
Siddhyettatpunarashtadha parinatam chaisvarya mavyahatam || 10 ||
By the recital, contemplation and meditation (Srvanam,mananam,
dhyanam) and parayanam (sankirthanat) of this sthothram which
clearly points out the all pervasiveness of Athma (sarvathmabhava), one
attains the state of oneness with Athma (Brahman) and realizes
his unity with the universe, thus becoming the very essence of the eightfold
manifestation.
This is the last verse of
the sthothram which is written as phala sthuthi. In this verse
Sri Sankara has pointed out that this sthothram explains Sarvatmatvam. Sarvatmatvam
stands for sarvam Athma eva i.e.
everything in creation is athma alone and other than Athma there is nothing.
The so-called anathma is mithya and has as its content Athma only. Taking this together with Jiva Brahma
aikyam, we have the Advaita Vedanta doctrine “Jagan mithya; Brahma Sathyam;
Jivo Brahmaiva na para”, which is the teaching of prasthana triam
i.e. Brahma sutras, Upanishads and Geetha.
So Sravana, Manana and Nitidyasana of this sthothram will
give one the Ikya bhava with Ashtamurthy Dakshinamurthy i.e oneness with Isvara. To Sravana, Manana, Nitidyasana Sri
Sankara has added sankirtana, which means parayanam or singing as
Bhajan the sthothram regularly will render the mind of even the
worldly-minded people subtle and mature to absorb this teaching in course of
time.
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