உளையா அன்பு என்பு
உருக ஓலமிட்டு
அலைகடல்
திரையினார்த்து ஆர்த்தோங்கித்
தலை தடுமாறா
வீழ்ந்து புரண்டலறிப்
பித்தரின் மயங்கி
மத்தரின் மதித்து
நாட்டவர் மருளவும்
கேட்டவர் வியப்பவும்ங்
கடக்களிறேற்றாத் தடப்பெரு மதத்தின்
ஆற்றேன் ஆக அவயவம்
சுவைதரு
கோற்றேன் கொண்டு
செய்தனன்.
Thinking of your
unsolicited love I cried loudly until even my bones melted. My loud cry is like
the roar of the waves in a raging sea. And like the waves I roll around and
cry. I lose control over senses like one
possessed and gone mad. Those who saw me
were shocked and those who heard about me were surprised. I am like the mad elephant struggling with its
keeper who is trying to mount it to control it. This intoxicating love is pervading my whole
body and make it feel sweet all over as if honey is flowing through all the veins of my body.
The
above is how Manickavasagar felt when he was soaked in Sivananda, after the Deeksha received from the Lord himself, as told in his own words in Thiruvandappahuthi of
Tiruvachagam. This flood of ecstatic
emotion of love for divine is called Mahabhava, a superior state in Para
Bhakthi, which some ananya bhakthas only attain at times, like Sri Ramakrishna Parmahamsa and Sri Chaitanya
Mahaprabhu in recent times. This
Mahabhava is described in sutras 6 of Narada Bhakthi sutras, as quoted below:
यज्ज्ञात्वा मत्तो भवति स्तब्धो भवति आत्मारामो भवति ॥ (yanjnyaatva maththo bhavathi, sthabdho bhavathi athmaramo
bhavathi i.e. knowing which one becomes intoxicated, ecstatic and enjoys bliss
in the Self)
We
shall now see under what circumstances Manickavasagar who had been a Jijnasu bhaktha
blossomed into an ananya bhaktha experiencing Mahabhava.
Manickavasagar
was born in a pious Amatya Telugu Brahmin family, devoted to Lord Siva, who
lived in Tiruvadavoor, near Madurai. Amatya Brahmins are ones who were engaged
in other than priestly jobs, as compared to Vaidhik Brahmins who served as
priests. His original name is not known
and he is referred to by his place of birth as Vadavoorar and we will be also
using this name. Vadavoorar was pious
and brilliant as a student and he was also interested in the study of
scriptures. His scholarship, brilliance
and pious disposition attracted the attention of King Arimardhana Pandian, who
employed him as his minister and also honoured him with the title, “Thennavan
Brahmarayan”. He served the king
faithfully but at the same time he was also looking for a right Guru
who can guide him further in his quest for liberation.
On one occasion,
the king sent him with money for purchase of high quality horses that were coming
from Arabia to his coastal town.
Vadavoorar offering worship in the temples on the way proceeded on his
mission. In the town of Tiruperundurai,
he passed a Saivite saint seated with his disciples under a tree,
near the temple. He was attracted to the
saint like a magnet, and when he went closer, he instinctively felt, that saint was the Guru he was looking for. He fell at
his feet seeking acceptance as a disciple.
The sage initiated him with the Mantra “Shivaya nama” and his touch
electrified Vadavoorar who now sang at his feet Sivapuranam starting with Nama
Shivaya. The sage now christened him as Manickavasagar for singing gem of a
hymn with sparkling ruby-like words.
When Manickavasagar wanted to stay with him as his disciple, he said he
should bide his time for that and asked him to attend to renovation of the
temple there and disappeared.
Immediately Manickavasagar realised it was Lord Himself who had come as an
ascetic to be his Guru and bless him with Deeksha Mantra. He was transported into an ecstatic state
which he later described in Thiruvandappahuthi, a portion of which we saw in the beginning. When he became normal he was a transformed
person. He forgot all about the king and horses and devoted his time and mind in renovating the
temple and feeding the devotees of Siva. In that process he spent all the money that
the king gave for the purchase of the horses.
The king hearing about his activities in Tiruperundurai was upset and
summoned him to the court and asked when the horses are coming. Manickavasagar had a flash in the mind and on
that basis told the king that they will be arriving in Madurai on Avani Moolam
day. When there was no sign of the
horses anywhere in the kingdom even two days prior to Avani Moolam day the king
ordered his minister to be jailed for dereliction of duty and misappropriation
of funds. Manickavasagar made no
protests and endured the torture in the jail with indifference to pain and
discomfort, immersed in thoughts of the Lord. On the Avani Moolam day the
horses arrived led by a handsome young horseman with imperial looks. The king was greatly impressed and after the horseman
left, he met Manickavasagar in the prison and apologised for doubting him and
released him. Manickavasagar knew that
it was Lord’s leela and took the king’s apology in its stride as he took his earlier
wrath and incarceration, neither depressed then nor elated now.
That
night the horses turned into jackals and howling loudly attacked and
killed the other horses in the stable and then ran away. The king was furious at this turn of
events. Raging with anger that Manickavasagar had played
a trick on him, he ordered his arrest and torture. He was made to stand barefoot on hot
sand-bed of Vaigai in the scorching heat of midday Sun carrying a
heavy boulder on the head. Unperturbed
Manickavasagar stood in hot sands, carrying the big boulder on the head
thinking of the Lord and chanting His name, surrendering himself to His will. Suddenly there were heavy floods in the river
and flood waters entered the town all over. The king ordered the river bank to
be raised and each family was ordered to send one able-bodied member for this
work.
There was an old lady in the town who lived all alone and who was a great
devotee of the Lord. She earned her living by making and selling puttu. There was no family member she could send nor
had she money to hire a person. Fearing the punishment that maybe inflicted for
not being able to depute a person, she prayed to Lord for help. As she was
praying, an able-bodied young man came to her and offered to help in return for
puttu. She gladly gave him fresh puttu
and he went to work on her behalf. But
he did not concentrate on the work. He
was singing, dancing and resting, in between short spells of work and disturbing
others as well with his song and dance. The king,
who was inspecting the work, saw this and got angry. He hit him with a stick.
The
young man disappeared but the blow was
felt by all including the king and the flood also subsided as suddenly as it
came. Then the king realized that the
horses turning into foxes earlier and the sudden floods now are all Lord’s work
only and that Lord Himself had come as horseman earlier and now as a young man,
to reveal to king, his devotee’s greatness. He repented his treatment of Manickavasagar, rushed
to him and setting him free, fell at his feet seeking his forgiveness for
inflicting punishment on him not knowing his greatness. Manickavasagar merely said it is all Lord’s
leela only and wanted to be relieved of the ministership to fully devote
himself to Lord. The king agreed and
Manickavasagar left on a pilgrimage to various shrines of Siva before settling
finally in Chidambaram.
Hearing
about the glory of Chidambaram from a devotee of Lord Siva, the chief Buddhist
monk in the court of the king of Sri Lanka boasted to the king that he will go
to Chidambaram and establish the supremacy of Buddhist doctrines there and win
those Saivites to Buddhism. The
king also accompanied the monk with his dumb daughter to Chidambaram. When
the Buddhist monk came and challenged the priests for a debate on respective
philosophies, they agreed and deputed Manickavasagar to represent them, as earlier Lord
had appeared in their dreams and asked them to depute Manickavasagar to argue on
their behalf. In the course of debate,
unable to stand the monk’s denigration of Saivam with blatant lies, Manickavasagar
prayed to Saraswathy Devi to stop this tirade.
Suddenly the flow of words from monk’s mouth ceased and he sat there
dumbstruck unable to utter a word. The King realizing Manickavasagar’s
greatness pleaded with him to make his daughter speak. Manickavasagar again prayed to Saraswathy
Devi to bless the king’s daughter with speech.
Then the little girl not only started to speak but also cogently and
convincingly started exposing Monk’s lies and false arguments. Now the king along with the monk changed to
Saivam. Manickavasagar then prayed to Saraswathy Devi for
forgiveness of the monk and he got back his speech.
Manickavasagar had not recorded his hymns of Tiruvachakam . One day an elderly Brahmin approached him and requested him to recite the hymns of Tiruvachagam so that he could record them and read them repeatedly to get freed from the shackles of samsara. Manickavasagar started singing for him his entire work of Tiruvachakam. The day passed into night and that too passed as Manickavasagar lost himself in singing. Even after it was over, he was in a state of trance and did not notice the Brahmin collecting the palm leaves and leaving. The next morning when the temple doors were opened the priests found a bundle of palm leaves wherein was written “ As recited by Manickavasagar. Tiruchitrambalam Udayan” They took them to Manickavasagar to ask who wrote that. Manickavasagar came out of the trance when he saw them and guessed it was Lord Himself who came as a Brahmin to record his works. He led them back to the temple. There he stood before the shrine, pointed at the Lord and said “There is the answer to your query” and merged into the Lord.
Manickavasagar had not recorded his hymns of Tiruvachakam . One day an elderly Brahmin approached him and requested him to recite the hymns of Tiruvachagam so that he could record them and read them repeatedly to get freed from the shackles of samsara. Manickavasagar started singing for him his entire work of Tiruvachakam. The day passed into night and that too passed as Manickavasagar lost himself in singing. Even after it was over, he was in a state of trance and did not notice the Brahmin collecting the palm leaves and leaving. The next morning when the temple doors were opened the priests found a bundle of palm leaves wherein was written “ As recited by Manickavasagar. Tiruchitrambalam Udayan” They took them to Manickavasagar to ask who wrote that. Manickavasagar came out of the trance when he saw them and guessed it was Lord Himself who came as a Brahmin to record his works. He led them back to the temple. There he stood before the shrine, pointed at the Lord and said “There is the answer to your query” and merged into the Lord.
Along
with Appar, Sambandar and Sundarar, Manickavasagar is revered as one of the
four spiritual leaders of Saivam. Their works constitute the first eight volumes
of Panniru Thirumurai. But the songs of
Appar , Sambandar and Sundarar together are called Thevaram and their life
history also figures in Sekkilar’s Peria puranam, while Manickavasagar’s life story is gleaned from Thiruvilaydal puranam and
Vadavoorar puranam. Appar lived from later part of sixth century
to the middle of seventh century.
Sambandar, who was a contemporary of Appar lived in early part of seventh
century. Sundarar’s time is much later
than these two but much earlier to Manickavasagar’s time. So Sundarar did not refer to him in his work,
Thiruthondathogai and Periya puranam
which is based on Sundarar’s work also did not contain Manickavasagar’s life
story, runs one school of thought.
Manickavasagar’s
path of Bhakthi is said to be Sanmarga i.e. as of a Bhaktha to God. While
serving as minister he was a jijnasu bhaktha seeking a Guru for guidance
to get Jnanam for liberation and so he is called jijnasu ananya
bhaktha. After he was blessed with Jnanam
by Lord Himself through Deeksha in Tiruperundurai, Manickavasagar’s attitude changed to one of total surrender,
with no “my, mine” feeling and with no feeling of himself as doer or enjoyer. This
can be seen from his following simple song
which needs no explanation:
அன்றே என் ஆவியும்
உடலும் உடைமை
எல்லாமும்
குன்றேயானையாய்
என்னை
ஆட்கொண்டபோதே
கொண்டிலையோ
இன்று ஓர் இடையூறு
எனக்குண்டோ
எண்தோள் முக்கண்
எம்மானே
நன்றே செய்வாய்
பிழை செய்வாய்
நானோ இதற்கு
நாயகமே. (குழைத்த பத்து – 7)
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